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EINAT TEMKIN | [email protected]
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I found information about NAZA scattered across cinemas, festivals, distributors, ticketing pages, press releases and social-media posts. People interested in the film kept asking where they could see it, while new screenings were appearing country by country.
Rather than wait for a central resource to appear, I built one.
The goal was practical: create a live, continuously updated global screening schedule that could gather fragmented information in one place, verify it as carefully as possible, and make it useful to audiences around the world.
Simplified overview of the AI-assisted workflow I built using ChatGPT and Notion to maintain the live global screening schedule.
I maintain the schedule through a largely automated workflow built around ChatGPT and Notion, with my review and verification before I publish information.
Automation helps me with research organization, comparison, formatting, consistency and speed. It does not replace my judgment. I do not add screening information blindly from an automated feed. When sources disagree or a venue has not published enough detail, I say so in the schedule.
That is why I use labels such as TBC, include links to source pages, and add notes asking readers to confirm directly with a venue before travelling.
I created this project independently; it was not commissioned by the filmmakers, distributors or any cinema. I built it to fill an information gap around a film whose international reach, public interest and subject matter made a centralized resource useful.